I often wonder who I am without the labels: the letter grades, the scores, the school rank. Who would I be without these various labels? Would I be nothing? This installation art portrays myself breaking away from the labels that have boxed me in, limiting me to only a tiny fraction of who I can be, and what I want to be. It shows the journey of realizing that there's much more to myself than just the labels placed on me.

N/A
Oil paint, square wood canvas, illustration board, mesh fabric, pencil, clear string

This architectural painting was created from observation, using forms and shapes I constructed. I combined cut illustration boards and wood sticks to build an intriguing structure. To add contrast, I cut organic plant shapes from sheets of colored paper, setting them against the rigid lines of the main form. I then arranged these handmade elements alongside real plants, composing a still life that became the foundation for my painting.

The Mirage is a lamp and mosquito trap that was inspired by the increasing dangers posed by mosquitoes. I wanted to create a product that dealt directly with this issue while also incorporating elements of design. I decided to merge the classic aesthetic of lamps with the practicality of mosquito control to create a multifunctional product for consumers. With a focus on consumer use and convenience, I incorporated features that ensure ease of use and seamless integration into any environment. The product name "Mirage" reflects the airy exterior that disguises its powerful function, creating an alluring trap for the mosquitoes.

7 x 6 x 4.5 inches (H x W x D)
3d printer, PVA filament, air filter mesh, white wire, light bulb  

Infinity is a pencil drawing depicting endless planes of spaces. Within this structure, I appear in various poses, engaged in different tasks, symbolizing the many possibilities that exist within the confines of a single space. I enjoyed creating these believable spaces using only my imagination.

Memories have a way of slipping away, like sand through our fingers. Over time, the things we hold dear can fade, and our favorite moments seem to disappear. This work is my way of holding on—to preserve the memories that are most meaningful to me. I wanted to create something that would keep those memories safe, like a vault that can never be lost. Each of the 25 metallic sculptures in this piece is my attempt to capture and store a memory, like a metal USB drive—solid, enduring, and able to hold onto the essence of what’s important. I used vibrant pastel dust and acrylic paint to bring these sculptures to life, choosing colors that reflect the energy and emotion of these moments. To me, each color represents a vivid memory, a burst of feeling that will never fade.

Face Value is a sculpture that illustrates the idea that individuals are more than their outward appearance; each person possesses a unique depth and story that deserves recognition. The design contrast of the exterior and interior highlights the difference between what is immediately visible and what lies beneath the surface, inviting viewers to cultivate curiosity and openness. 

9.5 x 14 x 10.5 inches (H x W x D)
Floral foam, white gesso, illustration board

“Recycled City” is a mixed media piece symbolizing both the effort involved in recycling and the promise it holds for a sustainable future. By contrasting the small cart with the abundance of recyclables, I aim to highlight the immense potential within our cities to reclaim and repurpose waste and to inspire viewers to recognize the value in what is often discarded. 

N/A
Graphite on paper, digital color

War, much like a stone thrown into a pond, creates ripples that extend far beyond the initial point of impact. This ripple effect of war is multi-faceted, affecting everyone and everything. War is not just a series of battles fought on distant fields; it is a force that reaches deep into the lives of countless people, leaving lasting scars on both the body and the soul. Through this art piece, I hope to portray how war is factual and impacts everyone, often leaving these individuals to feel isolate and helpless. 

Cubic Echoes is an exploration of positive and negative space, where each of the three cubes presents a unique interpretation. I used various materials to emphasize contrasts within each spatial experience, enhancing the piece's visual dynamics and highlighting the transition from openness to constraint.

6 x 6 x 6 inches (H x W x D)
Basswood sheet, basswood stick, illustration board, black acrylic paint

I found the overall design and mechanics of a tape roller to be profoundly intriguing. Its mechanism, though, is composed of numerous intricate components and forms. I decided to do a direct observational study in pencil to better understand and capture the tape rollers form and function.

24 x 18 inches (H x W)
Pencil on paper

This is a collection of my sketches, drawings, renderings and paintings that I have created over the years. The sketchbook portrays my thinking process and the ways my art style and technique has evolved and transformed.